Request
Fill in the form from the artwork record and confirm by email. The collection receives everything in its private area and replies: accepts, declines or counter-proposes dates and conditions. Every proposal is on record.
Marcel Dzama, The Underground (2008) · Biomax CollectionBiomax
Domenico Induno, The Return of the Wounded Soldier · Fondazione CariploCariplo
Andy Warhol, Electric Chair (1971) · UniCredit Art CollectionUniCredit
Luigi Di Fabio, Prima che piova troppo forte (2026) · Luigi Di Fabio CollectionDi Fabio
Giò Pomodoro, Spirale 82 (1982) · SEA Milan Airports, Malpensa T2SEA Milano
Antonello Viola, Palmarola Island 2 · Studio Legale Satta Bartolini BaldelliStudio Satta
Tano Festa, Coriandoli (1985) · D'Amico Collection, D&D ItaliaD&D Italia
Giuseppe Canella, View of the Naviglio canal (c. 1834) · Fondazione CariploCariploThe digital museum of corporate collections
Just published.
Emilio GolaMarina di AlassioCollezione Fondazione Cariplo
Domenico IndunoIl ritorno del soldato feritoCollezione Fondazione Cariplo
Pietro LonghiIl gioco della pentolaGallerie d'Italia · Intesa Sanpaolo
Pietro LonghiL'Elefante, 1774Gallerie d'Italia · Intesa Sanpaolo
Giambattista TiepoloIl Giudizio finale, 1730Gallerie d'Italia · Intesa Sanpaolo
Giovanni BoldiniGiovanni Fattori nello studio, 1867Gallerie d'Italia · Intesa Sanpaolo
Umberto BoccioniOfficine a Porta Romana, 1909Gallerie d'Italia · Intesa Sanpaolo
No. 1Luigi Di FabioPrima che piova troppo forte, 2026Luigi Di Fabio
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Collezione Biomax
Collezione D'Amico — D&D Italia
Collezione Fondazione Cariplo
Collezione dimostrativa
Gallerie d'Italia · Intesa Sanpaolo
Luigi Di Fabio
SEA Aeroporti di Milano
Studio Legale Satta Bartolini Baldelli
UniCredit Art Collection
Found the right work? Ask to borrow it.
Found a work for your exhibition? Request it directly from its record, no sign-up needed. From there CC Arte keeps request, documents, agreements, transport and timeline together, all the way to the return.
Documents and agreements
Condition reports, policy, agreements and transport documents stay attached to the case. The collection chooses which to share and you open them from your personal page.
Transport and timeline
The process follows thirteen stages, from departure to return. Every step has a date and an author, and you get an email at every step: nobody has to remember to update the other.
For museums
Find works you didn't know existed.
- Access to corporate collections never shown before
- Standardised requests, tracked replies
- Complete documentation attached to every work
Your next exhibition might already be here.
Search a work, open its record and request it on loan. No sign-up, tracked reply by email.